Thursday, January 14, 2010

Hello!

If you want some links for inspiration or research for your portraits, here are a couple. I figured I'd share the goods. You might spend hours on this so beware.

Oooooh Classy! Check out some of these guys:

Irving Penn
Diane Arbus
Richard Avedon
Yousuf Karsh
Christer Stroemholm
Edward Weston
Robert Doisneau


And then the Art+Commerce site.

Oooooh Stylish!

Check out:

Walter Pfeiffer
Carter Smith
Guy Bourdin
Solve Sundsbo
Nick Knight

and hte M/M Paris portfolio features works by Vinoodh Matadin & Inez Van Lamsweerde. I enjoy them :)

And all the other ones!

Hope it helps!


Wednesday, January 13, 2010

Monday, January 11, 2010

In le studio


Had to do some shots for a publication back home (with the help of Hana, thank you :D ). It was all a bit frustrating since I was pressed for time, to say the least. I always have a strange feeling in the studio - you have the ability to control everything but you don't always have the words, or the clarity to explain it all and for it to come out how you wanted.

But I'm not trying to whine! In any case, this was a shot to satisfy some nerve before I started. I ended up liking it. Not a whole lot, but I liked it.

It's Chris, my friend.

Sunday, January 10, 2010

Mother




This is a portrait of my mother and myself on New Years day, at my aunt's house. She wanted a picture of us together. I thought it'd be cute to take it in front of a mirror, once I spotted it on the living room. I told her to look at the reflection of the lens of the camera so we didn't look strange. It didn't work. She became preoccupied with how we looked on the live view display on the back of the camera. I told her to not do it in the following shots, but this one still ended up being my favorite of 5.

She said also in the middle of shooting it: "you twitch your mouth just like your father."


My father:

Wednesday, January 6, 2010

The family portrait (no, not the Pink song)


Meet my two sisters and my mother. This is one of a few other portraits they asked for. The way people who see you have a camera ask you for a picture. Not just a picture, a good picture.

You suddenly might be inclined to explain to them just what a good picture means to you versus what it means to them. But then you realize what they want. They want to look pretty or good or handsome or cool. Positively. Most of the time you comply with only the bother of knowing that they'd like to see the picture right after you take it (oh! the digital age). But if it's someone you dislike, isn't it a bit funny to take a picture of them? I was going to do something like this once. Take pictures of people I had some tension with. I only have the remains of pictures I may have snapped at some point of them.

But the point I'm brushing is that even those who you dislike, and ask you for a picture with which you comply, you know just how to please in terms of the photograph. You might be gritting your teeth, but you know just how to get them off your back. With that good image of them.

Even children know it. The smile, the little pose. Kids posing like kids do. It's all very formulaic, and yet, there's different results every time. A reason why that snapshot of somebody could always be the same, and at the same time so dramatically different than all the other ones.

Nobody wants to be stolen away into a permanent thing in a bad light (yes I suppose it's a pun, enjoy.) There's a sort of standard portrait.

But does it mean it's not reality? Hardly.

It's more truthful than any portrait that might be taken with reality being forced into it, because when we as photographers try to fabricate as specific reality, we fabricate our reality more strongly than our subjects do. When our subjects tell us to show you their fantasy, we often get more insight into their realities. Which is a vague one, granted, and a general one as well, but you can eventually notice it.

The nervous twitch in my mother's lip. The high-cheek-lots-of-teeth-ARE-YOU-GETTING-THIS? smile of my sister Giannina (to the right) and the look-at-my-hair-look-at-my-hair-look-at-my-hair-look-at-my-hair-okay-look-at-me face of my sister Natalia.

So is the family portrait ever misleading? It could be, but it "always tells a secret" (Arbus).

Family Portraits?

AND a whole lot more. It's a fun thing to Google :P

Monday, January 4, 2010

Contact

what can be said?

Just stealing slices of those in my life.

Sunday, January 3, 2010

Closure...sort of.






For Saturday, December 26, 2009:

I ran into that weird photographer's dilemma of making something look beautiful when it's all but. Like a grave for example. How strange is it to photograph a grave and make it look beautiful? My grandmother's grave.

I'll tell you the whole experience.

My grandmother has been buried 2 months now. I got into my cousin's car where we were listening to Eminem's music, which felt so offbeat for me, but I guess since most of my family has done the mourning already, I was alone in feeling that way. I was the only dressed all in black.

We bought crappy flowers on the side of the road, and drove into this complex, which turns out was the burial ground. This was the beginning of my anger.

I couldn't get away from the feeling of how disconnected the burial ground is. The very idea of burying somebody who's dead is of honor - the cemetery was almost political and bureaucratic (the only reason why my grandmother's grave is 1 hour away from my house is because it's the only cemetery my WHOLE family could afford). The thought of buying a lot, a space and a casket all from deathdealers felt so angering. At the risk of sounding like a lost rebel, I couldn't stop thinking how impossible it is to escape the silly political world of human civilization, even in our death. (This of course prompted a very strange idea for a new project on graves...more on this later.) The place was so organized. The lots were labeled. It just seemed all a bit strange, like almost too civilized. I kept thinking that maybe once upon a time, cemeteries seemed more dignified than any of this. It was the angry mourning that was doing the talking in my head.

So we get to the grave waiting for my family. We had no vase for the flowers, and so my aunt felt it was totally appropriate to walk over 10 feet and steal a vase from some other woman's grave. I was pissed off.

Then we all sat around the grave, my grandfather was already there. He has apparently been avoiding the whole topic, only talking to certain people about it, and being very quiet overall. They were married over 60 years. He left and sat in the car to sleep while the rest of my aunts showed up for a moment of silence, prayer and reminiscing about my grandmother's life.

I obviously had my camera. My own very strange way of mourning (and while standing in cemetery my mother asked me to take a picture of her with some sunglasses on - I refused, apparently she didn't understand.)

So I started snapping pictures, observing the surroundings, a huge mound of dirt and garbage placed right behind the grave. The squares of fabricated grass were still discernible on the bulging ground. The gravestone, barely a foot tall, could only be read if you got really close. The word "Dignity" was cheaply engraved inside an oval. The stolen pot resting behind it. The whole thing seemed a bit ironic and like bad satire.

I only took a few photographs. It didn't feel right, but it was a bit necessary.

We all left to go have coffee - at Starbucks. All 13 of us. Like a caravan of mourners from a William Faulkner novel gone 21st century. I couldn't be angry for too long, it was kind of surreal. Maybe I was just being a bit childish. Maybe. Who knows? Is there really a correct way of mourning anyway?

It was a very emotionally diverse day. The mall in the morning, buying shoes for my boyfriend. My cousin was starting to panic because of how crowded the place was, so we left after he vomited. Inglourious Basterds in the afternoon. My grandmother's grave. Being stolen away from it all by my friend and hanging out with my other friends at night.

All epitomizing how emotionally demanding the last two weeks were. I slept deeply that night.